Layout Image
  • BRANDstorming
  • Services
  • The Lab
  • Portfolio
    • Kudos
  • Products
  • Blog
  • About
  • Contact
  • Home
5 / 4 / 12
Categories
Branding


Add your comment!

Blast from the Past: Why Entrepreneurs Divorce Their Logos (And Why It’s a Bad Idea)

Remember how excited you were when you first designed your logo? How beautiful you thought it was, and how you couldn’t wait to get your first batch of business cards printed so you could show it off? How you excitedly described its meaning and subtleties to your mom (and your clients?) And the rush to the trademark office to get your new love “made official”—what excitement when the papers finally arrived!

Where did that magical feeling go?

The problem is that you keep seeing your logo. Over and over again.

You spend time working on your marketing: creating flyers, updating your website, putting together your email newsletter, etc… And of course, each of those pieces includes your logo (right?). Then you do your business development and billing: writing up proposals, processing client intake questionnaires, writing up invoices—again, all with your logo. Then there are the pieces that you see on a day to day basis: the business cards in your purse or wallet, your office signage, the promotional graphics on your car. Just in the process of running your business, you’ll see your logo constantly. Did I mention constantly?

Then Entrepreneurial Boredom sets in

Once you’ve seen the logo for what seems like the millionth time, the logo starts to lose its sheen. It no longer seems as brilliant, beautiful or perfect as it once did. In fact, you never want to see it again.

This is when most entrepreneurs start thinking about breaking up with their logo, and getting a new one. They think that this will help them recapture their excitement about their brand.

Why changing your logo should be a last resort

A business’s logo should last for the life of the business—until “death do you part” (or at least until something major happens within the business that necessitates changing the logo—but that’s another article).

Your logo is the “face” of your business for your customers. If you suddenly change the logo, your customers can feel like they are losing a relationship. And they get a bit concerned.

First they wonder “Am I in the right place? It looks different!” Then they think, “Is this the same company that I’ve worked with before and grown to trust?” Then they say, “Does this shiny new look mean that they’re raising their fees now? Can I afford to work with them now?”

You can see how this would be a chain reaction that you’d like to avoid. Not to mention the domino effect that changing your logo has on your marketing—redesigning and reprinting all of your materials with the new look. What a headache!

Keys To Changing Your Mind About Your Boredom

  • Repeat after me: I see my logo more than anyone else does.You assume that since you’ve seen your logo a million times, your customers have also seen it too much and are getting bored of it.This isn’t the case! Realistically think about how often your clients see your logo—once, twice, or maybe four times a month? I promise they’re not as tired and fed up with it as you are.See if you can make your boredom into more of a comfortable, long-term relationship with your logo.
  • Switch your focus.You are more focused on your logo than any of your clients. You are deeply invested in it in many ways — from going through the logo design process with your designer and infusing it with meaning then add the financial and time perspective. Then as you use it, your logo becomes a part of your business and personal identity.Concentrating on your logo this much puts it under a lot of pressure, and gives it a lot to live up to. The next time you feel like you’re getting tired of your logo, put your focus on something else—rewrite some of your website copy, design a new marketing piece, start on a book, or even just step away from the office to get some distance from it. You have plenty of other things to do in your business that would be easier and more productive to do than to make a major change with your logo.
  • If you need to change something, consider changing your Visual Vocabulary. If your marketing pieces are really driving you crazy, change up the other graphics that you have on them—the photos that you use, your background colors and your font treatments. This will change the look of your materials without changing the foundation of your brand—your logo—which isn’t nearly so jarring for your clients.

So, next time you’re looking at your logo and thinking about getting a divorce, take a deep breath and step away from your designs! Keep your logo as the visual face your customers remember. Then see if there are smaller changes you can make to your relationship with your logo to keep the love alive.

Post to Twitter

If you're new here, you may want to grab my free Inviting Branding Interactive eBook. Thanks for visiting!


add your comment
5 / 3 / 12
Categories
Cutting Edge


Add your comment!

The Early Adoption Curve

Are your ideal clients early adopters, or are they slower to jump on new things?

As shown by this graphic, early adopters tend to be more enthusiastic, and motivated by technology, features and design.

How can you encourage your clients to move towards the enthusiastic end of the scale – either through making it safe to be an early adopter or being more enthusiastic and explorative yourself?

 

(graphic thanks to http://salereaping.com/)

Post to Twitter


add your comment
4 / 20 / 12
Categories
Branding


Add your comment!

Blast from the Past: Versions of your Logo Files You Should Own

Your logo is the most important graphic element in which you will invest for your business. You should own the logo in many file formats. Having a library of logo files will enable you to send vendors the types of files they need (for example, other designers, printers, or other service providers).

There are two major categories that I will cover in this article—color variations and file-type variations.

Color Variations

You should receive your logo graphic from your designer in all of the file types listed below in the “File Formats” section (unless otherwise noted) in the following color variations:

Pantone color or CMYK color
Pantone color —
If you intend to have your business cards or other materials printed on a press, choosing Pantone colors makes the process less expensive than printing in full four- (or CMYK-) color. Of course, if you choose to print your materials digitally, then this is not an issue.

Full CMYK color —
This is for four-color printing, full color ads, and for use on any materials that you intend to print from your own desktop color printer, i.e, invoices, statements, receipts, letters, etc.

RGB color —
For use on your website or in your email. You should get JPEG and GIF formats in this color scheme.

Grayscale —
If your logo contains more than one color, or if it has tones or shades of one color, you should receive a grayscale version. You would use this when your logo is included in the newspaper or in the Yellow Pages, or on any black and white laser-printed materials you may create.

Black and white —
This version would be used to produce the best-quality logo on faxes or any materials you reproduce using a copier.

Depending on the design of the logo, sometimes only either a black and white or grayscale version of the logo will be applicable. For example, for a logo with just one color in it, only a black and white version would apply. And, if elements of different colors overlap, a grayscale version will ensure that the different graphic elements do not bleed together, as they would if they were all converted to black. So you may not receive both grayscale and black and white versions, but having one or the other should suffice. File Formats:

Original graphic — The original Illustrator, Photoshop, or other program-native document. This comes in handy if you make a minor change to your company (i.e., if you add LLC or Inc.), or if you decide to change your color scheme.

To make these types of changes easiest, you need a file of the logo in the original program in which it was created. If the logo was created in Illustrator (which is preferable, because creating vector graphics in Illustrator will allow your logo to be scaled up and down as needed), the type should not be outlined, unless your designer has done so in order to modify the typeface.

If the logo was created in Photoshop, the layers of the document should not be flattened, and the type should not be rasterized (converted from editable type into pixels)—this will ensure that it will still be editable.

Ask your designer which fonts have been used in the logo, so you could purchase it for use in other materials. This will avoid the lengthy and time-consuming process of font matching, should you work with other designers.

You should receive several different versions of the software’s native file formats from the designer, in case a future designer or printer ever uses an older version of the software. For example, I provide Illustrator files in Illustrator CS3 along with Illustrator CS1.

EPS format — I recommend that your logo be in EPS 10 format. EPS can be opened and processed by many different programs. This is also the file format most commonly accepted/requested by printers.

PDF format — You will not be able to view many of the file formats of your design that you receive unless you have graphics software applications. I suggest that you receive the PDF files of each Color Version of your logo. You will be able to view the PDF files using Adobe Acrobat Reader, available for free on Adobe’s web site at www.adobe.com.

“Outlined” original format — The difference between this graphic and the original would be found in the Illustrator files. The fonts in the outlined original format would be outlined, which means that the letters are converted into shapes. In Photoshop, the type should be rasterized and the layers should be flattened. This outlined file should be provided in all of the formats listed above—original program format, EPS, and PDF.

These outlined file versions should be provided to any printers or service bureaus to lessen the chance that the elements in your logo could inadvertently be shifted around. This will make sure that your logo will print with the right font should the printer not have the font used in your logo.

JPEG and GIF formats — For web or email use. The GIF graphic should be created with a transparent background.

TIF format at 300 dots per inch (DPI) resolution, in RGB color format — For use in Microsoft Word and PowerPoint files.

TIF format at 300 DPI — Some printers, ad vendors (i.e., the Yellow Pages), or other designers may require this file format in order to create additional designed materials.

Having your logo in these formats will ensure that you won’t ever need to have your logo redrawn or re-created for use in future projects. After all, you own your logo—shouldn’t you be able to use it as well?

Post to Twitter


add your comment
4 / 12 / 12
Categories
Quotes


Add your comment!

On Beauty…

What Makes You Different Makes You Beautiful
picture courtesy of peaceloveandhippos36

 

Simple is Beautiful.
Keeping your brand simple is beautiful from both a visual perspective and ease-of-use beauty!
picture courtesy of inspiredbythisfeeling

 

Beauty gets the attention. Personality gets the heart.
Beauty and personality – both very important for your brand. Here’s why.
http://icanread.tumblr.com/post/1055109727/by-afifah

 

Every Piece of You Is A Burst Of Beautiful.
Every piece of your brand can be a burst of beauty – it’s all in the details.
Source unknown (but too charming not to share!)

 

Make Something Beautiful today.
Esty: perfectlyhappyru

 

Always find beauty in the imperfect.
The imperfect can actually be the most beautiful… it makes you human and lets people identify with you.
etsy: LoveInLetters 

 

Post to Twitter


add your comment
4 / 6 / 12
Categories
Branding


Add your comment!

Blast from the Past: Your Logo Isn’t a Tatoo!

Why Your Personal Tastes Have Nothing To Do With Your Logo

As a business owner, one of the most important business decisions you’ll make is choosing the design of your logo. Whether you design the logo yourself or hire a designer, you’ll have to make some decisions during the design process.

But you want to make sure that the logo you decide on will work well. Many business owners make the mistake of basing their logo choices on their personal preferences. But your ‘likes’ should have very little to do with your logo design.

Before I go into why this is the case, let me tell you a story of the most difficult logo designs that I ever did. This logo was for an entrepreneur who was running a very small spa.

Now, this project didn’t start out difficult. I’d done several logos for spas in the past and during the course of those projects I had learned a lot about the industry. The business also had a good, solid brand definition, and the business owner had filled out my branding worksheet thoroughly. So I thought that the project would go smoothly and that I’d create a fabulous logo for her in no time.

I designed her first round of the logo to reflect the brand that she’d been setting up for herself. But, when she got the initial designs, I got an almost immediate call back — she hated them! We talked a bit about her brand, her clients and their tastes, and all of the things that I take into consideration when designing a brand. And we talked about how the sketches reflected those considerations. But then the real problem came out — she actually had a bigger vision for her logo.

She wanted to have the final logo tattooed onto her hip!

She wasn’t just looking at the business effectiveness of this logo — she wanted a sexy personal symbol! This was a whole different challenge.

She was set on designing a ‘tattoo’ logo, even though I didn’t recommend it. We wound up taking a whole different approach to the project and we did come up with a logo that she loves. Luckily her clients still react well to the finished logo, so it works for her business. But if you design your logo from your personal perspective, instead of taking your clients’ viewpoints in mind, you might be setting yourself up for disaster.

So, what’s the best way to decide on your logo design?

  • First, define your business’ brand.Your Brand Definition will guide the design of all of your brand identity materials, starting with your logo. The most important things to determine before designing your logo will be:
    • Who You Are, your business’ mission, vision and purpose.
    • What You Do, the products and services that you deliver.
    • Who You Can Best Help, or your target audience.
  • Then boil your full Brand Definition down to the most essential elements. Logos are small. Creating a clean and straightforward logo is essential to making sure that it communicates well. Most Brand Definitions are complex. Trying to pack too many details into a logo can create a muddled mess. You want to make sure that you narrow yours down to the few most important characteristics. That will enable you to create a concise, focused logo design that will tell your business’ story clearly.
  • Keep your Brand Definition in mind as you design your logo. Weigh your designs against the characteristics you’ve chosen. Think about every choice you make and how it affects your logo’s icon, font choice and color scheme. The most important piece of the Brand Definition in this step is “Who You Can Best Help”. Your logo has to connect with your clients. The design and overall feel of the logo has to communicate to them. Their perspective is the most important. If you’re targeting clients who are similar to you, then it might be okay to design the logo for yourself, but often that’s not the case. Be sure you’re designing for them and not just for you. You may even ask some of your clients about your logo options to make sure that the final logo works for them.

Going through this process doesn’t always result in a logo you’ll love. For example I don’t love my logo. But it communicates what I do — creating designs that help small businesses stand out from the competition. And my clients get the message (or a message that’s close enough and still works!). They like my logo so it does its job. Of course, I never wanted to get it tattooed on myself!

Post to Twitter


add your comment

Previous «
Next »

 (Spam is icky. I don't spam.)

BrandStyle Design
Copyright © 2012 All Rights Reserved